Wednesday, January 28, 2015

UA Poster Sale and Sexuality


While attending the poster sales that take place periodically at the Ferguson center, I stumbled across a topic for this week’s gender journal.  As always I browsed the large books of posters and small bins of prints looking for images some friends or I might want to use to decorate our apartment walls. Among the posters of famous rappers and bottles of popular liquor brands I stumbled across a series of posters illustrating multiple sex positions titled “101 Positions of the Day: Sex Every Day in Every Way.” I snapped a quick picture of what I found to be a hilariously random find (some of those positions were quite acrobatic) and immediately left the poster sale realizing taking a picture of that poster probably looked weird to the average passerby.
            It was only after I left the poster sale in a bit of a rush that I really thought about what caused me to react this way. As soon as the topic of sexuality came up and I expressed an interest or curiosity by lingering on that poster as I flipped through the collection, or by snapping a picture, I immediately felt I might be judged if anyone saw me. I realized that this seemed to be a bizarre overreaction on my part and wandered back over to the poster sale to observe some other people’s reactions and compare them to my own.

            While not many people stumbled across the same poster I did during the time I watched from a nearby bench at the Ferg (after all there were probably hundreds of posters at this sale), the ones who did had a notable reaction. A couple of girls, obviously friends, found the poster after I left the booklet open to that page. They exchanged brief glances and giggled, and quickly kept flipping through the posters. One girl, who I could describe as similar to myself was flipping through that same book of posters and I could note the almost exact moment that she came across the poster of sex positions. She made a particularly surprised and horrified face and walked away from the poster sale all together! What ideas do we condition in to our society to make individuals react that way? Centering sex education and abstinence only education around ideas of shame I believe is the root cause. I think that it is probably time that we change the way society views sexuality and sex to be more open and realistic. An open mind about sex starts with sex education, and the shame that was taught to me along with sex education I believe still affected my response to this poster and (probably) the other girls’ responses as well. Conflicting views of society make sex both a curious topic of conversation and also an inappropriate one. With such a sex driven, media based, society we live in I think it’s time people started being more open when it comes to the topic of sex.

Sunday, January 18, 2015

Eres Mía


In reflecting on social and cultural norms surrounding the notion of masculinity in our culture popular music seemed like a good place to start my gender journals. For something a little different I decided to explore the Latin genre that is very popular with some of my friends. "Eres Mía" is one of the most popular, crowd pleasing songs at the Latin nightclubs I've been to, so I decided to pay attention to the lyrics and take a look at the music video. Unsurprisingly, like with most content in popular music the lyrics and video were filled with subtle and not so subtle portrayals of masculinity, gender roles and sexuality.

Similar to the "Mr. Cougar" competition mentioned in this week's reading the singer, Romeo Santos, claims his masculinity by challenging that of another in the first line of this song. The lyrics, which are presumably spoken to an ex-lover he wishes to reconcile with state "Ya me han informado que tu novio es un insípido aburrido" (I already know your boyfriend is an insipid bore). In the music video, he also follows her home and enters her home without her permission (romantic, right?). 

Countering Romeo Santos repeated assertions of his masculinity, the girl in the music video, and the subject of this love ballad is repeatedly objectified. In the music video, the girl doesn't breathe a word. In fact the only semblance of communication is her gesturing towards the security systems her husband has set up in her house, which is another issue in and of itself. Ultimately the female role in this song and music video is to wander around looking doe- eyed and pretty and in the end fall victim to Romeo's charms. The lyrics themselves state "No te asombres, si una noche, entro a tu cuarto y nuevamente te hago mía" (Don't be surprised if one night i enter your room and newly make you mine). This denigrates her to an object to be claimed and fought over to reassert a man's masculinity. 


Like many pop songs in English or Spanish, "Eres Mía" trivializes the importance of women's opinions in relationships in addition to proclaiming masculinity in many ways. Romeo Santos upholds his masculinity by driving fancy cars (displaying wealth), expressing his heterosexuality, and most importantly challenging the masculinity of another man by "stealing" his woman.